Laphroaig 1991 23 Year Old Whisky Review!

After the recent sad news of John Campbell's decision to step down as Laphroaig's Distillery Manager, and given that he personally selected the casks used in this bottling, the time is right to review this special Laphroaig!

The legendary John Campbell is officially Laphroaig's longest-serving Distillery Manager, spending over 27-years at the distillery including 16-years at the helm, and is also the first Islay native, a.k.a. Ileach, to manage the distillery in it's 205-year history. I've been lucky enough to meet John a few times, mostly during his last visit to Australia back in late-2015 (more details and interview here), but also on his home turf during my last visit to the distillery in 2018. This softly-spoken, relaxed and humble Ileach has taken Laphroaig to new heights over that time, and has also been responsible for some truly brilliant whiskies during his tenure, particularly the Cairdeas releases and some of the other limited bottlings, including the subject of this review! But he has made the difficult decision to permanently relocate to the mainland to be closer to his family, and to take up a new role with a smaller independent distillery that is being kept under wraps until John officially steps down in November 2021. It's easy to forget just how remote Islay actually is, since the island is such a large part of the Scotch whisky world and seems like paradise to visitors, but a regular 4~5-hour commute just to visit one's own family on the mainland would get tiresome, particularly with ferries and flights being cancelled due to weather or taken out of action due to maintenance. So it's a very understandable decision, albeit a sad one. So on behalf of myself and the other peat-heads, slainte John and thanks for your hard work and the sacrifices that you've made over the years to keep our glasses full of peaty goodness. We'll all be watching this next step in your career with great interest!

Islay's most famous distillery needs no introduction of course, but older Laphroaigs tend to be very different from what you might expect. Yes the peatiness tends to recede and the whisky tends to become softer and more refined, that's to be expected with older peated whiskies. Older Laphroaigs of 21+ years of age can also take on a floral sweetness, often with more fruitiness and citrus and a brighter general character in comparison with their younger stablemates. For example, if you were to the 10-year old, or even the cask strength 10-year old, and then the 25-year old, without looking at the labels you'd be forgiven for thinking they were from completely different distilleries. But the more obvious examples of that change in character tend to be mostly from refill casks, while sherry casks, particularly when first-fill, seem to stave (pun intended) off that change, but it's also down to cask selection - the 15-year old and the Highgrove independent bottlings show that softer character at earlier ages, purely down to cask selection and presentation. Bottlings like the old 18-year old and the NAS replacement 'Lore' tend to be in the middle ground. Today's whisky will be an interesting test, since it's towards the lower end of that age scale, but mostly because it's a mix of refill hogsheads and first-fill sherry hogsheads, both of the 250-litre variety. Regardless, it's a cask strength Laphroaig. There's a very good chance that it's going to be tasty! 

On to the whisky at hand. This is a limited release 1991-vintage Laphroaig that was mainly sold to the German market when it was released back in 2014, with a substantial 5,000 numbered bottles released. Thankfully some stock found it's way to retail in Britain and elsewhere in Europe, and naturally some of those 5,000 bottles then subsequently made their way on to the secondary market. If you do manage to find a bottle on one of the usual auction sites, you'll be looking at around 400-pounds. Once the buyer's premium, shipping, duty and customs charges are taken into account, that's going to be well over $1,000 AUD here in Australia. Not a cheap proposition, and substantially higher than the 'regular' 25-year old Laphroaigs, but that's to be expected with a highly-regarded bottle on the secondary market. The timing for this release was curious too, since it could've instead been one of the 200th anniversary bottlings that hit the shelves in 2015, including the now-legendary 2015 Cairdeas and the 32-year old.  This 23-year old has been matured in a combination of first-fill ex-sherry and refill hogsheads, and was bottled at a cask strength of 52.6% ABV without chill filtration or added colouring. The sample for this review came in a swap with a generous fellow-whisky nerd, and both he and a couple of others have hinted that this is one of their favourite Laphroaigs to date, so the anticipation levels are high! Let's get to it. 

Laphroaig 1991 23-year old, 52.6%. Islay, Scotland.

Matured in ex-sherry and refill hogsheads, bottled 2014 at cask strength. Non-chill filtered, natural colour, 5,000 bottles. 

Colour: Gold. 

Nose: Fresh & zesty initially, peaty & coastal. Loads of fresh lemon zest, slightly herbal, damp muddy sand and wet rock. Touches of warm tar, ink and drying seaweed. Then new leather, white pepper and a little mushroom. Then sweet stewed stone fruit, vanilla bean and honey, fresh wood with a touch of ash. 

Texture: Medium weight. Peaty & peppery, sweet & rich. Slight touch of heat. 

Taste: Sweet vanilla bean, almost custard, then peppery, ashy peat, touch of tar and dried red chilli. Toffee and dried fruit behind - stone fruit with lemon juice, then leathery drying seaweed. 

Finish: Medium length. Spicy chilli flakes and peppery, ashy peat. Softens and fades quite quickly into floral vanilla bean sweetness, bitter lemon, then turning dry, peppery, woody and astringent with a little soft ashy peat in the background. 

Score: 4 out of 5. 

Notes: Some interesting contrasts here! This whisky does not sit still. The nose in particular is excellent, and while the palate and finish can't compete with the depth and complexity that the nose offers, it doesn't disappoint. There are hints of that softer, sweeter, floral side of Laphroaig, but the main player is the coastal peatiness and vanilla, alongside drying white pepper. A surprising amount of wood influence as well, and I'm guessing the sherry casks were American oak owing to that hefty vanilla. But then it is also 23-years old! This Laphroaig certainly seems more "modern" in character compared to the recent batches of the 25-year old and some of the older bottlings that I've tried, although few of those have first-fill casks in the mix so that's understandable. The drying peppery note in the later stages of the finish is surprising and quite different, but it doesn't dampen the experience, astringency and dryness can be enjoyable in the right dram, where there's enough character and peaty and/or sweet flavours to carry it, which is the case here. 

That said, given the prices that this 23-year old now commands on the secondary market, I'd be reaching for one of the 25-year olds instead - particularly the 2013 and 2016 batches which both show that floral, fruity, citrus-y side that older Laphroaigs are renowned for. But then, if this 23-year old were to offer the same sort of experience as the regular 25-year old batches, what would've been the point? 

Let's all wish John Campbell all the best in his new role, and I'm sure we'll be seeing more of him soon!

Cheers!

Bunnahabhain Cruach Mhona Whisky Review!

A travel-exclusive Bunnahabhain with a difference - Cruach Mhona in Gaelic translates to 'Peat Stack' in English. Yes, as you've probably guessed by now, it's heavily peated!

Although they're becoming more common these days, peated Bunnahabhains are still something of an oddity. As one of the two Islay distilleries mainly producing unpeated single malt, those unpeated offerings continue to get the attention, while the peated expressions don't enjoy the 'exposure' of equivalent whiskies from the other Islay distilleries - which could be partly due to the fact that their names are all but unpronounceable to the English speaker! Aside from a few limited releases at cask strength and the annual Feis Ile bottlings that are released under the Moine label (which are generally excellent), there are only two peated expressions in the distillery's core range: Ceobanach, meaning 'Smoky Mist', and Toiteach A Dha, meaning 'Smoky Two' - very imaginative, that name must've been chosen on a Friday afternoon! I'm yet to try the latter, but the former - reviewed here - is delicious, and certainly lives up to it's name. Both of those are bottled at 46.3% ABV. Then there's the one peated travel-exclusive, Cruach Mhona, which is bottled at 50% ABV, and in a 1-litre bottle as well. Even in the midst of the pandemic, there is no shortage of travel retail / duty free exclusive bottlings that are decidedly average. Add some pretty packaging and fancy buzzwords to your slower-moving stock and minimal factual information ("matured in oak casks" is still my favourite - that's a legal requirement for all Scotch whisky, remember), and you've got yourself a travel retail bottling. Not so with this Bunnahabhain, though, because this is one of the few travel exclusive hidden gems at this price point - and if you ask me it's a step above its unpeated duty free stable mate, the wine cask-finished Eirigh Na Greine. Outside of travel retail, this one can be found online for around $150 AUD, or if you're managing to travel overseas it'll be around $110 AUD. And that's for a 1-litre bottle at 50% ABV, remember. Oh, and it's non-chill filtered and naturally coloured. Not bad!

Bunnahabhain is a funny one. It's the most remote of the Islay distilleries and the most difficult to access, involving a surprisingly long drive down a single track road with only a couple of passing places, and involving driving straight past the driveways for both Caol Ila and now Ardnahoe. Once you do get there, though, the atmosphere and - if you're lucky with the weather - the view are stunning, with a pebbled shoreline looking straight across the Sound of Islay to Jura and its famous mountains. Bunnahabhain is still in the midst of a massive refurbishment - progress was delayed by world events, of course - including a new visitor's centre, but also the removal of some of the distillery's shorefront warehouses, although apparently the majority of spirit will still be matured on Islay, and the conversion of eight of the old cottages & houses into holiday accommodation. Bunnahabhain has always been a little rundown and 'unkempt' in appearance, so I can understand why it was overdue for a refresh, but that rough & tumble appearance was also part of the distillery's charm, with a stark difference in comparison to some of the more 'polished' Islay distilleries. So it'll be interesting to see how this renovation goes and if any character has been lost when the project is completed. 

We don't see many of their limited release official bottlings in Australia, but it's hard to leave your average corporate liquor retailer without tripping over the 12-year old. Don't get me wrong, that's a decent whisky when on special for around $90-100 AUD, and it's still the distillery's flagship bottling despite a few reportedly forgettable non-age statement offerings trying to push it off the pedestal - as is the trend for all of the larger Islay distilleries these days. There are plenty of independent bottlings out there though, with both peated and unpeated Bunnahabhains from the likes of Gordon & MacPhail and Signatory Vintage, plus cask strength offerings from smaller bottlers like the SMWS and Elements of Islay being held in high regard. Most of the unpeated bottlings are matured in refill or first-fill sherry casks, and even the official bottlings tend to go with refill sherry or refill casks in their unpeated malts, while it's the peated Bunnahabhains that are more often matured in first-fill or refill ex-bourbon casks. While the sherry casks do seem to work well with the Bunnahabhain spirit, when was the last time you saw an unpeated first-fill or refill ex-bourbon cask from the distillery? They're something of a rarity. Having said that, there's no solid information out there regarding what casks Cruach Mhona has been matured in. So we can safely assume that it was refill ex-bourbon casks, but it could be otherwise. So, Cruach Mhona - meaning Peat Stacks - is a travel exclusive (but not so exclusive during plague times!) , heavily peated, bottled at 50% ABV and presented in a 1-litre bottle. Let's see how it stacks up!

Bunnahabhain Cruach Mhona, NAS, 50%. Islay, Scotland.

Travel exclusive (but now more widely available), heavily peated, 1-litre bottle. Non-chill filtered & natural colour.

Colour: Gold. 

Nose: Creamy, nutty, peaty. Dry ashy smoke, dry-roasted nuts, bitter dried lemon and a touch of ginger. Vanilla cream and pineapple - alternating between ripe and sour. Black pepper and quite a bit of charred wood. 

Texture: Medium weight. Oily, creamy and peaty. Warming with a touch of heat - it's at 50%, after all. 

Taste: Creamy and peaty - very creamy in fact! More dry ashy smoke, smoked chilli flakes and bitter dried lemon. Smoked vanilla and more charred wood, which heads towards bitterness. 

Finish: Medium length. Hints of that pineapple from the nose, more ginger and more smoked chilli flakes as well. Dry, chunky, earthy peat. Smoked vanilla, and some bitter chocolate orange, then creamy peat to finish. 

Score: 3 out of 5. 

Notes: Pleasant, easy-drinking peated Bunnahabhain that fits in well with the other Islays around this price point. It's not the most complex whisky around, and it does sit on the drier side of Islay, but an easy-drinking peated dram is a nice thing to have in the arsenal - provided you like peat, of course. In general retail this Bunnahabhain is more expensive than the entry-level drams from the other Islays, and it sits in the range of Ardbeg Uigeadail, Kilchoman Loch Gorm and a myriad of independent Islay bottlings (Port Askaig 100 Proof, for example) that can offer more "bang for buck" in terms of character and complexity. But none of those are in 1-litre bottles, which does have to be taken into account! That's the advantage of being intended for duty free only, I suppose, and it's the same situation with Laphroaig PX. Both are absolute bargains at their duty free pricing, but when they're released to general retail - which is a common thing these days - they become more expensive than the competition, until you factor in the extra 300ml of whisky in the bottle. Between the three regularly produced Bunnahabhains, Ceobanach, Cruach Mhona and Toiteach, I'd be reaching for the Ceobanach first. But again, that doesn't come in a litre bottle, and it's "only" bottled at 46.3%. So if you like a larger bottle and a higher ABV, perhaps with a little less complexity, you may feel differently!

Peated Bunnahabhains do fly under the radars of most whisky drinkers, and even those of most Islay fans. And much like Bruichladdich, that's largely because the distilleries are renowned for their unpeated mainstays, which get most of the attention because they're great quality, but also because they're the two unpeated Islay whiskies. When peat comes into the equation those distilleries are taking on the larger brands with their dedicated followings, which is a tougher fight. But when given the attention they're due, both from the distillery and parent company and their customers, the peated offerings from both distilleries can be fantastic. Port Charlotte is a great example which has really exploded in popularity since it was relaunched a few years ago, and it often gets more attention now than the same distillery's marketing behemoth that is Octomore. Maybe we'll see a similar re-launch from Bunnahabhain in future? But they do like to play the quiet achiever, so perhaps not, and we do love them for it.  

Cheers!

Cragganmore 20 Year Old Whisky Review!

The cask strength 20-year old Cragganmore from owner Diageo's 2020 Special Releases, and it's a relative bargain - if you can still find it!

I absolutely loved the cask strength peated Cragganmore 12-year old from the previous year's releases (reviewed here). In my opinion it was the hidden gem of the 2019 Special Releases, and despite being the first peated Cragganmore officially released it was very reasonably priced, offering brilliant value for money. As far as I can remember that was the first peated Speyside single malt that Diageo have released in modern times, made all the more special by the distillery's worm tub condensers and the fact that it was bottled at cask strength. I'm sure we'll see more peated releases from the distillery in future, but for the 2020 Special Releases they reverted back to the unpeated whisky that the distillery is known for, and there's no Cragganmore in the 2021 batch of releases that recently launched in Britain and will likely arrive here in mid-2022. Stocks of the 2020 releases are dwindling rapidly, but at the time of writing can still be found in Australia, mostly at the larger branches of our largest liquor retailer. Pricing on this Cragganmore is/was around $220 AUD, which is very reasonable for a cask strength 20-year old limited release in this day & age. I suppose we can thank the lesser-known distillery name for that, since it doesn't have the popularity and "sexy-ness" of the other names in the Diageo stables - for example, the 21-year old Mortlach from the same year's special releases is at the opposite end of the spectrum, selling for five-times that amount at around $1,100 AUD. 

There was some confusion surrounding the casks that were used in this release, as there has been with a few other examples of Diageo's Special Releases over the years - the 15-year old Talisker from 2019 for example (reviewed here), which was reported by quite a few PR agencies, press releases and bloggers to be matured in virgin oak casks. But that didn't sound right to me, and turned out to be entirely incorrect since it was actually matured in freshly charred (a.k.a. re-charred) refill American oak casks. And quite a few on the interweb have done the same with this 20-year old Cragganmore, reporting that it was matured in both refill casks and "new fresh-charred American oak casks", with "new" referring to virgin oak. And again, that didn't sound right to me - just like I couldn't see Diageo filling Talisker into virgin oak casks for fifteen years of maturation, I really can't see Diageo maturing a Cragganmore in virgin oak casks for two decades, even if it was only a component part of the final vatting. A short finishing period or a component part of a much younger release perhaps (2019's 11-year old Cardhu for example), but spending fifteen to twenty years in charred virgin oak, even in a cold & damp dunnage warehouse in Scotland, would be likely to overwhelm the spirit character and distillery character of just about any whisky - and I'm trying to resist the urge to mention bourbon here! Such a practice would defeat the purpose of releasing the whisky in the first place, particularly in the case of Diageo's Special Release program where the idea is to showcase the distilleries in a different way to their core range, if only by bottling them at higher strengths and with more natural presentation. And, just like the aforementioned Talisker 15-year old, it turns out that once again this whisky was not fully- or partly-matured in charred virgin oak casks, but rather in refill casks, some of which were freshly re-charred. Phew, that's a relief.  

Not everyone got it wrong of course, and I certainly don't think I'm the whisky industry's knight in shining armour, but plenty did, and I'm glad they were mistaken! Why? Because we want that Cragganmore spirit character and distillery character to still be present in this whisky, even at the substantial age of 20-years. The distillery's unusual flat-topped spirit stills with their downward-angled lyne arms, intentionally run quicker than usual to reduce copper contact and reflux, and the traditional worm tub condensers that are fitted to all four stills, give Cragganmore a deeper, richer, spicier texture than most of the neighbouring Speyside distilleries. This is not quite a meaty, dirty or sulphurous spirit like that of Mortlach, Craigellachie or Benrinnes, which are also equipped with worm tubs, but the extra depth and richness of the Cragganmore spirit that is intentionally a little rough around the edges - especially when served up at cask strength - has a great character to it, and those edges do generally become more rounded with each year of maturation. In fact if memory serves this is the second-oldest official bottling (i.e. from Diageo) of Cragganmore that we've seen to date, only beaten by the 25-year old Special Release from 2014. So, a 20-year old Cragganmore, unpeated, matured in refill casks and bottled at a cask strength of 55.8% ABV, without added colouring or chill filtration. The sample for this review came from a generous fellow-whisky nerd. Shall we?

Cragganmore 20-year old Cask Strength, 55.8%. Speyside, Scotland.

2020 Diageo Special Releases. Unpeated, matured in refill casks, some of which were re-charred. Non-chill filtered, natural colour. 

Colour: Gold. 

Nose: Malty, lightly fruity & honeyed, spicy. Dry gristy (dusty) malt, touch of savoury honey-roasted nuts and a hefty pinch of pepper. Orange oil, freshly polished wooden furniture, and unsweetened bubble gum, the old cornflour-dusted pink stuff. Slight floral touches around the edges as well. 

Texture: Medium-heavy weight, quite oily, spicy. Lightly drying & astringent. Some heat, needs substantial breathing time, but calms down nicely. 

Taste: Big pinch of pepper again, olive oil, more bubble gum and polished/varnished wood. Drying wood spices, and dried red chilli. Dried orange peel and malty biscuits - rich tea biscuits? 

Finish: Medium length. Drying astringency with some pepper and chilli, touch of pencil shavings. Orange oil again. Dry, gristy, biscuity malt and those savoury honey-roasted nuts again to finish. 

Score: 3.5 out of 5. 

Notes: It's a spicy little number, both in terms of flavour and also spirit-y heat, even after substantial breathing time. But it certainly has the flavour and texture to carry that heat & spice and the result is very enjoyable. It's also quite a dry & biscuit-y malt, which I do enjoy, especially when it's in a viscous, oily dram like this Cragganmore. It'll probably calm down after even more breathing time, since the owner tells me it was rather hot & closed-off to begin with, but it's definitely showing itself well now. That slight roughness just adds to the character, and it's not distracting or annoying - largely thanks to the texture and flavour that are there in spades. Probably not ideal for a relative newcomer, though, heading towards the challenging whisky territory - no bad thing!

This 20-year old certainly isn't on the level of the 2019 peated 12-year old, but that's hardly a fair comparison. Both have been very reasonably priced for the quality and character that they offer, and this is certainly a worthy purchase if you manage to find one sitting on a shelf before they're all gone. 

Cheers!

Highlander Inn Glen Elgin 24 Year Old Whisky Review!

My first Glen Elgin review! Not a particularly common distillery this, aside from the entry-level 12-year old bottling at least. And even it tends to stay in the shadows of the whisky world.   

Glen Elgin, as you can probably guess from the name, is located near the town of Elgin in Speyside, specifically in the Longmorn area roughly 3.5 hour's drive north of Edinburgh. The distillery was founded in 1898, with production kicking off in 1900, before the distillery was closed after less than six months. It changed hands a few times before winding up under the ownership of DCL and was licensed out to White Horse Distillers, both of which would later wind up being absorbed into the Diageo melting pot. These days the distillery has nine wooden washbacks and six onion-shaped stills with gently sloping lyne arms, all of which feed into traditional worm tub condensers (shown in the above photo) sitting on the outside of the still room wall. Like many of the Diageo distilleries that are not part of the 'Classic Malts' program, the standard 12-year old expression is the only readily available official Glen Elgin bottling, and as usual it's bottled at 43% and is chill filtered and artificially coloured. And as usual, the vast majority of the distillery's production - 1.8-million litres of spirit per year in this case - goes into Diageo's blended whiskies, particularly White Horse. There is no visitor's centre and the distillery is not open to the public. But like many of these lesser known distilleries in Speyside, despite it's disadvantages Glen Elgin Distillery has still gathered a small, quiet-yet-passionate following among whisky aficionados. 

But aside from a few older bottlings that have made their way into Diageo's Special Releases over the years, if you want a higher strength, more naturally presented Glen Elgin you're going to need to turn to the independent bottlers, such as Gordon & MacPhail and Signatory Vintage. The bottling that we're looking at today is from a far smaller and more obscure bottler, but the name will be familiar to anyone who was travelled the whisky trail that winds through Speyside: The Highlander Inn. Tatsuya Minagawa's Highlander Inn is one of Scotland's most well known whisky bars - a whisky destination in it's own right, actually - and is situated in the middle of the town of Craigellachie in Speyside. Tatsuya himself is something of a whisky celebrity, being a Japanese man running a whisky bar & hotel in Scotland, and having worked at the Highlander Inn from 2005-2012 before returning and purchasing the business in 2015. I haven't had the pleasure of visiting the inn myself, since on my (so far) only visit to Speyside I was more interested in cramming as many distilleries as possible into the every available minute! But I'm sure I'll correct that at some point in the future. Since 2005 Highlander Inn have also been releasing independent bottlings under the same name and also the "Oishii Wisukii" ("delicious whisky" in Japanese) label, although these bottlings have only recently and sporadically started making their way to Australia in any real numbers. 

The Highlander Inn bottling that we're looking at today is a single ex-bourbon cask (#13038) Glen Elgin, distilled in December 1995 and bottled in November 2020, a month before it's 25th birthday, at a cask strength of 50.7% ABV. A few Highlander Inn bottlings have been imported to Australia recently by website/seller The Whisky List, with this 24-year old single cask Glen Elgin selling for $350 AUD, which is roughly the going rate for equivalent independent bottlings here. Based on taste & appearance I don't doubt that it is non-chill filtered and naturally coloured, but unfortunately neither point is stated on the label. The sample for this review came from a generous fellow whisky nerd. Let's see how it goes!

Highlander Inn Glen Elgin, 24-year old, 50.7%. Speyside, Scotland.

Distilled 12/1995, matured in a single ex-bourbon cask #13038, bottled 11/2020. 228 bottles. Presumed non-chill filtered and natural colour but not stated.

Colour: Pale gold. 

Nose: Quite fresh & malty, and a little solventy in aroma, reminiscent of oily paint. A little sweet pastry, like a waffle cone, but this is a dry whisky overall. A good pinch of black pepper and dried red apple. Slight touch of vanilla ice cream and toasted oak but it's really the spirit that is doing the heavy lifting.

Texture: Medium-heavy weight. Rich & oily, quite fresh again. Slight touch of heat but pleasant. 

Taste: Starts off clean & malty, then turns quite dry, spicy & rich with that oily solventy paint note again. More black pepper, and some charred oak here rather than toasted. A touch of dried red apple again. a little liquorice and a hint of dried strawberry. Touch of dark chocolate too. 

Finish: Long length. Spicy & dry here to start with, some dry oak. That malty side returns alongside more black pepper and a touch of leather. Lovely oily malty spirit to finish. 

Score: 3.5 out of 5. 

Notes: Very interesting whisky! It seems to alternative between dry & spicy and malty & fresh, and it's definitely very spirit-led despite the age. Don't take that to mean that it's young or immature though, this is the sort of refill cask matured whisky that has had far more "subtractive" maturation rather than overt cask influence, even after spending 24-years in said cask. The cask has mellowed and rounded the spirit rather than adding much at all in terms of wood influence or previous contents. And that's a good thing really, because it shows off the Glen Elgin distillery character with its rich, oily, malty spirit. And that lovely weighty texture. 

This isn't a dirty, meaty or vegetal spirit like some of the more famous Speyside worm tub distilleries produce, but this single cask shows that Glen Elgin needn't be overlooked when it comes to characterful spirit. 

Cheers!

Cladach Blended Malt Whisky Review!

Cladach must be some trendy new "mystery" independent bottling or anonymous blend, right? No, not quite. This is Diageo's cask strength blended malt from the 2018 Special Releases!

The Special Releases from 2017 & 2018 saw two curious and underappreciated additions to the usual line-up of single malt releases, in the form of cask strength blended malts - meaning different single malts blended together with no grain whisky involved - from various Diageo malt distilleries. In fact the first of these, named "Collectivum XVIII", actually featured whisky from all twenty-eight of the company's Scotch malt whisky distilleries blended together - and the result (reviewed here) was delicious! The 2018 blended malt, named "Cladach" is a little different. The name is Gaelic for "Coast" or "Shore" in English, and only six of Diageo's Scotch malt whisky distilleries are involved this time. And as you can probably guess from the name, they're all coastal distilleries! Specifically, single malt royalty like Lagavulin and Caol Ila from Islay and Talisker from Skye, alongside major Highland names Clynelish and Oban, plus Speyside outlier Inchgower, coming from the mainland. Like Collectivum this cask strength blended malt hasn't enjoyed the attention that it deserves, largely because of what some consider to be a dirty word: "blended". Testament to that is the fact that both Collectivum and Cladach are still available in Australia, despite being bottled four & three years ago respectively. The pricing would not be helping that situation though, since neither of these whiskies was exactly cheap. Both weighed in at around $250 AUD, which is a bit of a stretch - fans of Diageo's coastal distilleries would've gone for the absolutely outstanding 2018 Talisker 8-year old and the more familiar Lagavulin 12-year old that hit the shelves at the same time, particularly when the former was almost half the price of this blended malt, and even the latter was a full $70 AUD cheaper. That pricing hasn't budged over the 3-4 years since their initial release, which would also not be helping them clear the stock.  

Regardless of pricing, the "I only drink single malt" crowd is missing out, because blended malts, particularly when served up at cask strength and naturally presented without chill filtration or added colouring, can be fantastic. And these one-off limited releases also allow the blending teams to have a bit of fun and create something totally new, rather than aiming for consistency and/or being shackled to the same "house style" that comes along with the big brand names that we're all familiar with. Higher-strength smaller batch blended malts are becoming more common these days, mainly among the "new school" independent bottlers like Adelphi and North Star, and the Douglas Laing 'regional' blended series and the Berry Bros. blended range, all of which have a different approach to category stalwarts like Johnnie Walker Green Label. Almost all of the larger companies have also joined in, with Edrington's Naked Grouse changing from a blended whisky to a blended malt a few years ago, and Chivas Regal 'Ultis' from Pernod Ricard, plus Monkey Shoulder and Copper Dog from William Grant's and Diageo respectively. Those are all low-priced blended malts that are aimed more at the mixer, rocks & cocktail scenes rather than the neat or straight whisky drinker, and I suppose the corporations behind them are really cashing in on the ever-rising popularity of single malt whisky by ditching the grain whisky components that are largely reserved for their cheaper blends or older more established brands. Blended malt whiskies over the AU$200 price point are a much harder sell, even at cask strength, when there is now such a huge range of single malts available below that. And one could certainly argue that many of those offer a more distinctive - not necessarily better, but more distinctive and more 'singular' - smell & taste experience than an equivalent blended malt. But a good blended malt is more than the sum of its parts. 

Most of the six distilleries in this Cladach blend will need no introduction, but Inchgower is an interesting addition since while it's obviously located near the coast, to the north of Speyside in this case, the few single malt examples that I've tasted haven't been particularly coastal in smell or taste, instead having a spicy & nutty character. Inchgower is a major contributor to the parent company's Bell's blended whisky, and aside from a Flora & Fauna release and one or two older bottlings appearing in the Special Releases over the years, there aren't many single malt official bottlings to be found. As is always the case with these quieter distilleries, the independent bottlers give it more time to shine than the owners do, but even those are surprisingly few & far between when it comes to Inchgower. Clynelish and Oban are also interesting additions to this blend, since they're both more subtly coastal than the big & powerful West coast island flavours coming from Lagavulin, Caol Ila & Talisker. So we probably shouldn't expect a big "peat bomb" from this blend, but rather a balanced whisky that sits somewhere in between the markedly different flavour profiles of the six contributors. As was also the case with Collectivum, we don't know what proportions of each distillery were involved in this blend, but it has been subjected to the same cask maturation recipe as that 28-distillery predecessor, being a mix of first-fill ex-bourbon and ex-sherry casks and also refill American oak & European oak casks. I suspect most of the components in this blend were a little younger than those used in the Collectivum, but that's purely speculation since neither has given any indication of age. Based on appearance & taste I'm going to assume this one is naturally coloured & non-chill filtered, as is almost always the case with the Diageo Special Releases, but it's not actually stated on the packaging. The sample for this review came from a very generous fellow whisky nerd. Batter up!

Cladach 'Coastal' Blended Malt, NAS, 57.1%. Scotland.

Blended from Diageo's six coastal Scotch malt whisky distilleries: Talisker, Lagavulin, Caol Ila, Clynelish, Oban & Inchgower. Cask strength, presumed non-chill filtered & natural colour. 

Colour: Amber-gold. 

Nose: Oily & spicy. Fresh ginger bread, olive oil and black pepper. Waxy oranges and drying sea salt - salt-baked meat? Touch of thick honey and lemon rind. Fennel around the edges and blow-torched herbs. There's an alcohol nip here as well, but it's not excessive. 

Texture: Medium-heavy weight. Oily & rich, earthy & peppery. Touch of heat but it's pleasant and less aggressive than the nose suggested. 

Taste: Coastal, yes, but peaty? Not particularly. More olive oil, lemon ring and waxy oranges. Drying earthiness with black pepper and chunks of un-crystallised ginger. Some engine oil and a touch of fatty bacon crusted with peppercorns. 

Finish: Medium-long length. Drying sea salt and a touch of red chilli. Then olive oil and a light earthiness, and a stony minerality. Blow-torched herbs again - rosemary & tarragon? Dried lemon rind, slight grassy malty-ness and salt & pepper to the end. 

Score: 4 out of 5. 

Notes: More towards Oban, Clynelish and Talisker I'd say, rather than any overt Islay-ness. I'm not detecting much peat, but that's no criticism - and that earthiness and oiliness are very pleasant. Clearly a well constructed blend, since any overdoing of the Caol Ila and/or Lagavulin components would probably overwhelm the other distilleries and defeat the purpose of making the blend in the first place. Cladach is a very enjoyable dram, with a great oiliness & spiciness and definite citrus. As said, I don't find it particularly peaty, but this is a great opportunity to take a look at the other coastal styles - and don't take that to mean that this is a lighter whisky, there is plenty of texture, flavour and character in this blend. 

This is an expensive bottle of whisky though, make no mistake, and it still needs to compete with the semi-regular and regular appearances of single malts from the component distilleries - particularly those from the same Special Releases program such as the Talisker and Lagavulin offerings. The other distilleries in this blend don't feature as often, and certainly not at more reasonable price points, so it's good to see them get some time in the spotlight here. Just like the 'Collectivum' blended malt that preceded it in 2017, Cladach deserves its spot in the Special Releases program, particularly since it seems to be a one-off appearance. If you can find it for around the $200 mark and aren't bogged down by the "blends are always bad" frame of thought, I'd recommend grabbing it while it's still around. 

Cheers!

Cage Bottling Cage Match!

Winding up the Springtime Springbank series of reviews with three Springbank cage bottles - going out with a bang. Three unicorns, two brands, one distillery, three cask types, one first fill, two refill. This will be fun!

Doesn't look like much, does it? 

I wasn't sure if I should even post this review - these three whiskies are irreplaceable, and all but unobtainable. The 'cage bottlings' from the venerable Springbank Distillery in Campbeltown are the stuff of legend. Exclusive to visitors / pilgrims who make the considerable trek to Campbeltown itself, previously to the Cadenhead's store or now to the distillery itself - yes, the cage now resides at Springbank itself, which is fitting. Unfortunately there are also a multitude of these revered rarities listed on the European auction sites every month, and most do go for silly money, but that's just part of the whisky world we live in - sadly. I'm probably not helping the situation by writing about them either, which was another reason for my uncertainty about posting this three-way review. And these already-impossibly rare bottlings have become even more scarce over the last couple of years, as their reputation grows and their secondary market values go through the roof thanks to scarcity, pandemic-induced madness, and the general explosion in demand for all things Campbeltown, and all things whisky. But in the end, after mentioning it to a few friends, and also because I had samples of three different cage bottles staring me down from the shelf, and also because these unicorns need to be shared and enjoyed (even if it has to be vicarious), it had to be done! 

For the uninitiated, a 'cage bottle' is essentially a 700ml cask sample of Springbank, Longrow or Hazelburn, taken straight from the cask at Springbank distillery, adorned with a simple white label and some basic information written in shorthand. "Duty Paid Sample, for Trade Purposes Only". To a Springbank fan, those words are pure poetry. Then you'll find, hand-written in pen no less, the warehouse number that the cask is/was stored in, the rotation number, the type/brand of the whisky, the cask type and cask size, and the ABV, the date that the bottle was filled, and the age of the whisky at the time of filling. The type of whisky is of course either the unpeated and triple-distilled Hazelburn, the lightly peated and 2.5-times distilled Springbank, or the heavily peated and double-distilled Longrow. All single malts produced entirely at Springbank Distillery. Since Hazelburn and Longrow each only make up 10% of the distillery's already small production volumes, these are certainly the more scarce of the three types, although Hazelburn can often be under-appreciated and sometimes goes unloved. Cask types are written in shorthand codes - F for "Fresh"- Springbank-talk for first-fill, or R for Refill. Then B for ex-bourbon, S for ex-sherry, R for ex-rum, P for ex-port, and so on - occasionally there may even be a wine cask such as Claret, Burgundy, Chardonnay etc. Typically it is the first-fill sherry or port cask samples that collectors go nuts for, but in my experience, the refill and/or ex-bourbon casks can be absolutely brilliant, with more distillery character and that delicious Campbeltown dunnage "funk" on show. The last piece of the shorthand puzzle is the cask size - BRL for barrel (200-ish litres), HHD for hogshead (225-250-ish litres), and BUTT for... butt (500-ish litres). I'm yet to see a small cask, port pipe or puncheon cage bottling, but they could exist as well. What about the rotation number? No it's not a cask number, it's an operation number - basically just a warehousing & inventory system number assigned when casks are emptied or moved between warehouses, or when samples are taken. These numbers reset every year, but there's no rhyme or reason as to the timing. 

These are essentially the next level of distillery exclusive bottling, since while you don't get to fill the bottles yourself from the cask, all of these are essentially one-off bottlings, a snapshot of the contents of one particular cask at one particular time. Those casks may be aged further, or tipped into a larger vatting, or bottled as single casks. But they're specially selected by the distillery team, most often Production Director Findlay Ross, without any publicised reasoning or method. And no, you do not get to try these hidden gems before buying, and you should be counting yourself lucky that you were able to buy at all! And from the handful of examples that I've been lucky enough to sample, they're incredibly special whiskies. Those casks have been singled out by the distillery staff themselves, and lucky fans who get their timing right when they visit the "wee 'toon" may get the chance to take one home and try it themselves. And they'll have to get their timing right, because adding to the allure of - and demand for - these cage bottle Springbanks is their fleeting nature - it's entirely possible that you'll make the 4-hour drive west from Glasgow to arrive in Campbeltown, and then walk through those iron gates onto hallowed ground, to fix your gaze upon... empty shelves. That's right, when & if you do get to visit the distillery and the cage, there's a very real chance that it will be completely empty. As much as the Springbank shop staff try to spread them out - and also try to avoid selling to flippers - there's no rhyme or reason as to when these bottles will be available for sale, sitting pretty behind their chicken wire enclosure. That photo above with about a dozen bottles on the shelves? That would be considered extremely lucky these days. Especially during the pandemic shutdowns and the resulting staffing and logistics issues and also the currently-exploding demand for everything Campbeltown, your chances of finding one of these elusive gems sitting in the shop are quite low. Which almost makes them magical. And for god's sake, don't buy them from auctions. Not only are the prices ridiculous, but anyone who lists recent cage bottles for resale on the secondary market, save those who have actual, real emergencies perhaps, does not appreciate what these bottles are or how special they are, nor how lucky he/she was to get their hands on them. 

For this review, we have samples of three different cage bottlings. One refill ex-bourbon hogshead Hazelburn, and two Springbanks - one refill ex-rum barrel and one first-fill sherry hogshead. Two of these samples came from generous friends and fellow-whisky geeks, and the third is the last vestige of my own cage bottle that I purchased on my so far only visit to Campbeltown, back in 2018. Time to get to it. Oh, and I apologise in advance for the photos below!

First up, the Hazelburn. Triple-distilled and unpeated, of course. This is an 18-year old refill ex-bourbon hogshead, filled in September 1999, matured in warehouse 15 and bottled circa 2017 at a cask strength of 53.4%.

Colour: Pale gold. 

Nose: Fruity, spicy and surprisingly funky. Baked red apples, ground black pepper and buttery shortcrust pastry. Dusty, lightly musty and lightly woody. Touch of warm clay and spun sugar toffee. Sandalwood, lemon rind and a few discarded seafood shells. 

Texture: Medium weight, rich & oily, spicy and earthy. Touch of heat but barely noticeable. 

Taste: Delicious. Soft & sweet entry, then building ground black pepper, olive oil, and a lovely wave of that gorgeous Springbank "funk". Musty and dank old wood, dusty dirt floors and old hay - very farmyard. Some demerara sugar and lemon rind. 

Finish: Long length. Ground black pepper carries through, more olive oil, spun sugar and dry old wood. The red apples come back but they're more dry and powdery here. And the Springbank oily, earthy character is here in spades. Dried lemon and dusty malt to finish. 

Score: 4.5 out of 5. Close to a 5 out of 5, though. 

Notes: Absolutely delicious. Without doubt the finest example of Hazelburn that I've nosed & tasted to date. Surprisingly earthy & funky for a Hazelburn too, this could easily pass for an old (e.g. 90s era) Bruichladdich or even a Springbank. Some Hazelburns do seem to show that side to them, and it's clearer here thanks to the refill cask and the extra age. It's not easy to find a Hazelburn that is older than 13-14 years, and even harder to find an older example at cask strength. Which makes this cage bottle all the more special, since it shows just how great Hazelburn can be! It's often the last cab off the rank, the forgotten and left behind Campbeltown spirit compared to it's two peated Springbank stablemates, and now also it's cousin Kilkerran. But there are some great bottlings out there, and this cage bottling is an absolutely stand-out example. A huge thanks to the owner for sharing this very special whisky!

Next, the refill cask Springbank. Lightly peated and 2.5-times distilled, of course. This is a 14-year old refill rum barrel, filled in February 2004, matured in warehouse 5 and bottled in late 2018 at a cask strength of 56.3%. 

Colour: Gold with amber tinges.  

Nose: Sweet, tropical and fruity. Brown sugar, rich vanilla bean - make that crème brulee actually. Dirty engine oil and baked tropical fruit. Some dried mango skins, fried green banana and a touch of dried herbs - tarragon? Oily paint and old grease. Russian caramel fudge, petrol, and more crème brulee. 

Texture: Medium weight, very oily, sweet & funky. No heat at all. 

Taste: Banoffee pie (banana & toffee caramel) with spiked cream. Mango skins again, more oily paint and dirty engine oil, and vanilla bean. Touch of black pepper and soft caramel fudge. Touch of drying salt and damp driftwood. 

Finish: Long length. Spicy, sweet & earthy. Black pepper, brown sugar and fried banana, touch of petrol and oily putty. Engine oil and dirty grease, earthy and muddy "funk" but in a sweeter style than the usual farmyard / dunnage variety.

Score: 5 out of 5. 

Notes: Just a stunner, really. Is it technically perfect? No, of course not. But the amount of character here is just wonderful. And the balance between spirit/distillery character and cask influence is bang on, if you ask me. There's certainly some rum influence, but it hasn't overwhelmed the spirit - which is what happened with the 2019 Rum Wood release, in my opinion, so it's lucky that this was a refill cask. Instead the rum barrel has worked in harmony with the spirit, adding more sweetness and fruitiness, and giving a more rum-driven petrol & engine oil edge to the "funk". Based on this bottle I can't help but wonder how great that aforementioned Rum Wood release could have been if there were more refill casks in the vatting, or if they'd been the majority of the vatting. Something spoke to me when I spotted this bottle sitting in the cage three years ago, as soon as I decoded the "RR", I knew it had to come home with me - and I was proven right. Now that it's gone, I miss it so much that it hurts! But I have no regrets when it comes to opening it and sharing it - that's what these unicorns are for. 

And last but not least, the first-fill (fresh) sherry cask Springbank. This one is a 16-year old fresh sherry hogshead, filled in November 2002, matured in warehouse 7 and bottled circa 2019 at a cask strength of 49.8%. 

Colour: Dark bronze with rusty red tinges. 

Nose: Rich, clean sherry. Rum & raisin fudge, Christmas plum pudding with extra raisins and brandy sauce. Orange rind and roasted nuts, hints of ashy smoke and dank earthy peat. Rusty old machine shop - dirty saw blade coolant. 

Texture: Medium weight, rich, sherried and medicinal. No heat at all. 

Taste: Sweet syrupy entry, delicious clean sherry with raisins and currants, more sweet rum & raisin fudge and some melted ice cream. Warm dry-roasted nuts and dirty old engine oil. Touch of leather and drying wood spices.

Finish: Long length. Clean, rich, sweet sherry. More dry-roasted nuts - peanut, hazelnut and walnut. Rich dried fruity and candied orange. Then out of left-field, old bandages, ointments and crushed tablets (medicine) and a touch of brine. 

Score: 4 out of 5. 

Notes: Delicious sherry bomb, but with a surprising medicinal side. Cleaner and brighter in character than the sherry cask Local Barley, and while I don't usually mind the dirtier, slightly more sulphurous side of sherry cask whiskies in many cases, this cleaner, sweeter and lighter take is really working for me today. It's sweeter than the Local Barley as well, but also much more medicinal - particularly on the nose and finish, which is quite the surprise - you won't find those notes in your average Speyside sherry bomb! The sherry-heavy cask treatment does give this cage bottle a lighter and cleaner feel than you may expect, but that's also the beauty of these one-off cage bottlings, they're all unique! 

So there you have it. Three irreplaceable cask samples from Springbank Distillery that are essentially one-offs. And all are extremely special and very delicious. I suppose the takeaway message here is, don't overlook refill cask Springbanks / Longrows / Hazelburns, they can be fantastic, and they don't attract the collectors & flippers to the same extent. Distillery character and spirit character are the name of the game here, combined with just the right amount of cask influence and "reductive" maturation, resulting in truly great whisky. And that applies to just about every distillery, not just the Campbeltown legends. 

At the risk of repeating myself, if you've been lucky enough to grab a cage bottle of any description, I hope you treasure it, and I hope you appreciate how lucky you've been. And for god's sake, don't sell it. And if you haven't been lucky enough yet, don't encourage the flippers by paying 3-4 times the retail pricing. But if you somehow get the chance to try one, don't hesitate. 

Cheers!

Cadenhead's Longrow 11 Year Old Port Cask Whisky Review!

Part three of the Springtime run of Springbank reviews. Is an independent bottling of a single malt whisky from a distillery's sister company still an independent bottling? Frankly, when it's this delicious, I couldn't care less!

This Cadenhead's bottling of Longrow single malt could have easily become a single cask official bottling, dressed in fancier clothes and destined for some lucky (meaning, definitely not Australia) retail market. Or it could have easily become part of a larger vatting in the distillery's core range, or part of the "living cask" single malt bottlings which were exclusive to the Cadenhead's flagship store in Campbeltown, but have since shifted over to the distillery shop at Springbank. But it didn't. For some reason, this Longrow ended up as a Cadenhead's bottling instead. It's not such a strange scenario these days where a reasonably large independent bottler owns, buys or even builds a distillery of their own. Gordon & MacPhail purchased and largely rebuilt Benromach in Speyside in 1993 and have a second Speyside distillery in the planning stage, Signatory Vintage purchased Edradour Distillery in 2002, Wemyss built Kingsbarns in Fife a few years ago now (which has just landed in Australia), and Elixir Distillers (Port Askaig, Elements of Islay etc.) have plans to build their own distillery on Islay. In the case of Springbank and Cadenhead's both companies come under the privately owned umbrella of J&A Mitchell, as does nearby Glengyle Distillery (producing Kilkerran single malt). Cadenhead's was purchased by J&A Mitchell in the early 1970s and subsequently relocated to Campbeltown, but the company was originally founded in 1842 which makes them Scotland's oldest independent bottler. Cadenhead's bottle both grain & malt whisky sourced from all over Scotland and internationally (Tasmania and India, for example), and also produce their own blended whiskies, as well as dabbling in other spirits such as gin, rum and cognac on a regular basis. 

Most independent bottlers do not bottle their own distillery's whisky under their independent bottling label/s. There have not been any Gordon & MacPhail bottlings of Benromach since their purchase and re-opening of the distillery, although Signatory Vintage do regularly produce a bottling of Edradour as part of their "Un-Chill Filtered Collection" that is really more of a core range distillery bottling with different packaging. On the other hand Cadenhead's frequently bottle both Springbank Distillery and Glengyle Distillery whiskies as single malts, including the Hazelburn, Longrow, Springbank and Kilkerran labels/brands, mostly as cask strength single cask single malts under the 'Authentic Collection' label that is exclusive to their own stores. They also occasionally include those spirits in some of their "Cadenhead Creations" blends, or as their Cadenhead's Warehouse Tasting bottlings which mainly feature other distilleries from other regions. They're not often found as part of the company's main 'Small Batch' collection, which could be a good thing since those were once bottled at cask strength but have now been reduced to 46% ABV across the board. Anything Campbeltown has exploded in popularity and demand over the last couple of years, and all of the Cadenhead's bottlings from Springbank or Glengyle disappear as soon as they're released - or even before they're released in most cases. Naturally many of those then re-appear on whisky auction websites in short order, although that does seem to happen less often than it does with the Springbank official bottlings. In this case I shouldn't complain about the situation too much, since while not exactly a cheap proposition, if this particular bottle hadn't been resold on an auction website I would never have been able to buy it on this side of the planet! Quality does seem to be very high with these bottlings, as it is with most Springbanks and Kilkerrans of course, and this Longrow is no exception. Age statement, non-chill filtered, natural colour, and basic, minimalist packaging - that's all Cadenhead's standard MO. 

Longrow is the double-distilled, heavily peated spirit produced at Springbank Distillery that makes up only 10% of their already-tiny annual production that doesn't come close to meeting demand. That double-distillation means that Longrow spirit comes from only the first and second pot stills, the former being direct-fired and the latter being equipped with a worm tub condenser, and different (later) cut points are used in the Longrow spirit runs compared to the cuts for Springbank or Hazelburn spirits. That results in a delicious rich, oily, dirty, funky spirit with loads of character. Despite being heavily peated, up to around 60 ppm in fact, in reality Longrow is not particularly peaty compared to the famous names made across the sea on nearby Islay. That's partly due to the fermentation and distillation regime used at Springbank, but also due to the fact that while the barley is floor malted on-site at the distillery the peat itself (used in Kilkerran, Springbank and Longrow production) is sourced from the northern mainland of Scotland rather than locally. There are conflicting sources here, but that's apparently because the local Machrihanish peat bog is too sandy and also too difficult to harvest in the small quantities required. The long-dead Victorian-era Campbeltown distilleries would all have used local peat though, and Springbank certainly would have in the past, although there are also rumours that they've sourced Islay peat at times. Perhaps that was used in Springbank production (which is only lightly peated) so it flew under the radar, or perhaps it was used in earlier Longrow production that began in the early 1970s, but I'm yet to find any overt Islay-style peatiness in a contemporary Longrow, and neither do the reviews that I've read from other sources. Regardless, Longrow is still a peaty whisky, albeit in an earthy, dirty way as you'd expect from peat sourced from the mainland, but it's also still a very coastal whisky as you'd expect from Springbank and from Campbeltown. 

The majority of attainable (so not the 21-year old!) contemporary Longrow releases tend to be quite cask-forward, whether they've been fully matured or finished, often in sherry or wine casks as is the case with the 'Red' wine cask series. That can often resulting in a level of (intentional) sulphur that many drinkers find challenging - the 14-year old Sherry Cask Matured from 2018 for example, which I and many others loved, but some hated. The spirit does stand up to cask influence very well and seems to work with any cask type, but if you do come across an ex-bourbon cask or a refill cask example, grab it with both hands! Speaking of which, let's get into this review. This Cadenhead's bottling is an 11-year old single cask, distilled in 2007 and bottled in 2019 and fully matured in a refill port pipe (550-600-litre cask) with a yield of 708 bottles at a cask strength of 57.8%. Being a product of J&A Mitchell, Springbank and Cadenhead's it is of course non-chill filtered and naturally coloured. Tasting time!

Cadenhead's Longrow 11-year old Port Cask, 57.8%. Campbeltown, Scotland.

Heavily peated & double-distilled from Springbank Distillery. Distilled 2007, fully matured in a single refill port pipe, bottled 2019. Non-chill filtered, natural colour. 708 bottles. 

Colour:  Amber. 

Nose: Smoky, oily and citrusy. Touch of smoky oily peanut butter, cold fatty bacon, tart blueberry and buttered burnt toast. Blow-torched orange rind and thick dirty smoke. Dried raspberry, builder's putty (e.g. gap filler) and muddy, earthy peat. Lemon zest around the edges too. 

Texture: Heavy weight. Big & oily, dirty & loaded with character. Very slight touch of heat and it works. 

Taste: Flavour explosion! Big oily, dirty smoke, more smoky peanut butter and tart dried berries. Blow-torched orange rind again, more dirty smoke but it's quite ashy now and there's a touch of dried smoked red chilli flakes (chipotle). Beautiful sharp & bitter salted lemon, old greasy machinery, dank & damp dunnage (earthen) floors. Something medicinal in there too, like dusty old compressed tablets (pills) - disprin maybe (dissolvable asprin).   

Finish: Medium-long length. Sea salt, ashy dirty smoke carries through, touch of oily fish. Dried citrus peels (bitter rather than sweet) and more earthy, muddy peat. Touch of old industrial oils, greasy putty and damp dunnage (earthen) floors. Lovely sharp salted lemon again. 

Score: 4.5 out of 5. 

Notes: Delicious. A great example of a refill cask adding just the right amount of influence while also allowing the reductive part of the maturation to fully do it's thing. No semblance of the wood itself either - a big cask would help with that of course, and they don't get much bigger than a port pipe, but being a refill cask has definitely helped there. This is a big, dirty, rich whisky that is loaded with character - and what more could you ask for! This Cadenhead's bottling could well be my favourite Longrow to date, and it's one of the best examples I've had that shows off the muddy, earthy, dirty peat and the dirty "old school" or even industrial character that Longrow is renowned for - and loved for. In this case those nutty, tart dried berry and sharp citrus notes are just delicious, and I'd assume that the refill port pipe was responsible for the former while the spirit brings that bitter & burnt citrus and of course that thick oily smoke. This is certainly no shy or delicate whisky, it's big & brash, and beautiful!

I do wish we saw more higher-strength refill cask Longrows where the distillery character and spirit character can really shine, since in my experience most of the Red series tends to be quite wine-forward and/or cask heavy, and they're the only higher ABV Longrows that we see in Australia. Actually having said that, I just wish we saw more Longrow in general! There's only so much of it to go around, and despite this 'brand' still flying under the radar of many whisky enthusiasts, that amount just is not enough - but this Cadenhead's bottle is a great example of just how great it can be! 

Cheers!